With three long songs totalling an epic 38 minutes, “Speak the Truth,” the most recent EP from When Mountains Speak, offers a contemplative, broad investigation of sound and emotion. Every song runs naturally into the next to provide a coherent listening experience more akin to a single, developing composition than three distinct parts. This EP pushes limits in terms of structure and sound environment, therefore deviating from the artist’s earlier work.

The ambitious structure of the EP lets each song go beyond the conventional song duration, therefore enabling a deep, immersive experience. Built based on ambient soundscapes, the tunes include distorted guitars, electronic elements, and well-positioned vocal samples. Though few and devoid of conventional words, these samples provide an emotional anchor for the listener navigating the EP’s theme terrain of tranquillity and introspection.

With its emphasis on allowing the listener to dwell rather than giving traditional melodies or hooks, “Speak the Truth” has a style that parallels the ambient works of Brian Eno. But the warped guitar work on the EP reminds one of the experimental edge of musicians like Robert Fripp or even Pink Floyd’s more avant-garde side. The EP has a distinctive sound because of this mix of ambient atmospheres and distorted guitar, which closes the distance between more forceful, emotionally driven Psychedelic rock and tranquil ambient music.

“Speak the Truth” has a rich and diverse orchestration. Throughout the EP, the warped guitar is always there, its tones varying from subdued background textures to more noticeable, almost angry chords. Synthesizers and effects that provide depth and complexity to the sound balance this guitar piece with several electronic components. Every component is painstakingly crafted, with great balance to provide depth and space.

Especially interesting is the usage of voice samples. Although the EP lacks conventional words, these passages—some of which feel nearly chanted—give the otherwise instrumental tunes a human component. They are utilized infrequently, which accentuates their effect when they do surface, usually from the mix like distant echoes or mantras.

Although “Speak the Truth” falls generally within either ambient or Psychedelic rock, its incorporation of electronic components adds even another level of intricacy. From subdued drones and pulses to more noticeable, rhythmically complicated patterns, the electronic textures span These electronic features not only add to the ambient quality of the EP but also enable the three songs to be tied together, therefore generating continuity and development.

One of this EP’s strongest points is how blurring of genres it exhibits. It resists simple classification instead providing a complex and contemplative listening experience. The lack of conventional song structures and words forces the listener to interact with the music on a more contemplative, deeper level.

With every song building on the before producing a cohesive message, “Speak the Truth” is very much a concept EP. The way the songs equip the listener for what is to come as well as the calm, meditative quality of the music clearly shows the artist’s intention for global peace. Both musically and psychologically, the EP moves clearly towards a feeling of conclusion at the end.

Finally, When Mountains Speak‘s audacious, experimental composition “Speak the Truth” pushes the limit of ambient and Psychedelic rock music. Its mix of electronic soundscapes, distorted guitars, and voice samples produces a very distinctive and profoundly moving sound. The EP’s structure and thematic coherence make it an interesting listen that invites the listener to consider the message of peace and the ability of music to transmit complicated emotions without the necessity of words.