The double vocal on “Possession” is a heavenly showcase of baritone gelling with alto-tenor. The harmonies build up slowly, reaching a climax, where there’s “an immense moment of brightness” as a “choir of vocals join forces to melodically fall and then rise, cleverly highlighting the central concept of the song.” The choral element is angelic by the end of the track. The bass pumps along perfectly in a 60s style groove, and the guitar ostinato is drenched in twin-reverb, with a bit of tremolo thrown in for good measure. This is stellar psyche production!

Omar Ashour.

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